Invisible Cities (2009–2013)
for four solo voices, chamber choir, chamber orchestra, and electronics
All Wounds Bleed (2011)
for soprano, mezzo-soprano, tenor, and piano
Will There Be Singing (2017)
for orchestra
High Windows (2013)
concerto for string orchestra
Still Life with Violin and Orchestra (2010)
for violin and orchestra
Invisible Overture (2008)
for small orchestra
(also available in version for ten players)
Large Ensemble (with or without voices)
The Branch Will Not Break (2015)
eight singers (SSAATTBB) or small choir and ten players
The Pieces That Fall to Earth (2015)
for high soprano and fourteen players
(also available in version for ten players)
The Naomi Songs (2015)
for mezzo-soprano or baritone, eleven players, and looping electronics
(also available in a version for voice and sextet)
Flows Beneath (2012)
for steel pan ensemble and ten players
Solo and Chamber (with or without electronics)
A Natural History of Vacant Lots (2017-18)
for percussion quartet and electronics
Can’t and Won’t (2017)
for string quartet
Goldbeater’s Skin (2016)
for percussion quartet and mezzo-soprano
Liminal Highway (2016)
for flute and electronics
The Arching Path (2016)
for solo piano
Shall I Project a World? (2015)
for solo violin
On Being Wrong (2015)
for solo cello and electronics
Sonata for Violin and Piano (2015)
for violin and piano
South Catalina (2014)
for flute, clarinet, percussion, piano, violin, and cello
Double Happiness (2012)
for electric guitar, percussion, and electronics
(available in version for piano and percussion)
Memory Palace (2012)
for solo percussionist and electronics
(available in version for percussion quartet)
Recovering (2011/12)
for clarinet, bassoon, trumpet, trombone, vibraphone, violin, and double bass
The Night Mare (2011)
for flute, clarinet, percussion, piano, violin, viola, cello, and electronics
How to Breathe Underwater (2016)
for string quartet and electronics
(also available in a version for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics)
Hoyt–Schermerhorn (2010)
for solo piano and electronics
Reading a Wave (2008/2010)
for nine instruments placed throughout the audience.
Variations on a Still Point (2006/7)
for guitar, saxophone, percussion and piano
Vocal (with or without electronics)
I will learn to love a person (2013)
for soprano, saxophone (or clarinet), percussion, and piano
(or soprano and piano)
That Night with the Green Sky (2012)
for soprano and piano
How to Breathe Underwater (2011)
for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics
(also available in a version for string quartet and electronics)
Requiem [for K.V.] (2007/2009)
for solo amplified voice and live electronics. Text by Kurt Vonnegut
three e.e. cummings poems (2004)
for SSAATTBB choir
Electronic Solo / Installation
Serenity (Charles Ives) (2010)
for bass flute, bass clarinet, percussion, piano, violin, viola, and cello