Christopher Cerrone

In a Grove (2017 – in progress)
for four singers (SCtTB), small ensemble, and electronics

Invisible Cities (2009–2013)
for four solo voices, chamber choir, chamber orchestra, and electronics

All Wounds Bleed (2011)
for soprano, mezzo-soprano, tenor, and piano (chamber version forthcoming)

The Insects Became Magnetic (2018)
for orchestra and electronics

Violin Concerto (“Breaks and Breaks”) (2018)
for violin and orchestra

Will There Be Singing (2017)
for orchestra

High Windows (2013)
concerto for string orchestra

Still Life with Violin and Orchestra (2010)
for violin and orchestra

Invisible Overture (2008)
for small orchestra
(also available in version for ten players)

Goldbeater’s Skin (2016)
for percussion quartet and mezzo-soprano
(also available in a version for soprano and percussion quartet)

Apocatastatis from Goldbeater’s Skin (2016)
for soprano, guitar, vibraphone, and prepared piano

The Naomi Songs (2015)
for mezzo-soprano or baritone, eleven players, and looping electronics
(also available in a version for voice and sextet)

The Pieces That Fall to Earth (2015)
for high soprano and fourteen players
(also available in version for ten players)

The Branch Will Not Break (2015)
eight singers (SSAATTBB) or small choir and ten players

Not One Word (2014)
for men’s choir

I will learn to love a person (2013)
for soprano, saxophone (or clarinet), percussion, and piano
(or soprano and piano)

That Night with the Green Sky (2012)
for soprano and piano

How to Breathe Underwater (2011)
for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics
(also available in a version for string quartet and electronics)

Requiem [for K.V.] (2007/2009)
for solo amplified voice and live electronics. Text by Kurt Vonnegut

three e.e. cummings poems (2004)
for SSAATTBB choir

Can’t and Won’t (2017)
for string quartet

Goldbeater’s Skin (2016)
for mezzo-soprano and percussion quartet
(also available in a version for soprano and percussion quartet)

Liminal Highway (2016)
for flute and electronics

The Arching Path (2016)
for solo piano

Shall I Project a World? (2015)
for solo violin

On Being Wrong (2015)
for solo cello and electronics

Sonata for Violin and Piano (2015)
for violin and piano

South Catalina (2014)
for flute, clarinet, percussion, piano, violin, and cello

Double Happiness (2012)
for electric guitar, percussion, and electronics
(available in version for piano and percussion)

Recovering (2011/12)
for clarinet, bassoon, trumpet, trombone, vibraphone, violin, and double bass

The Night Mare (2011)
for flute, clarinet, percussion, piano, violin, viola, cello, and electronics

How to Breathe Underwater (2011/16)
for string quartet and electronics
(also available in a version for baritone, trumpet, trombone, bass clarinet, and pre-recorded electronics)

Hoyt–Schermerhorn (2010)
for solo piano and electronics

Reading a Wave (2008/2010)
for nine instruments placed throughout the audience.

Variations on a Still Point (2006/7)
for guitar, saxophone, percussion and piano

A Natural History of Vacant Lots (2017-18)
for percussion quartet and electronics

Goldbeater’s Skin (2016)
for percussion quartet and mezzo-soprano

Memory Palace (2012)
for solo percussionist and electronics
(available in version for percussion quartet)

Five Days (2008–2010)
fixed mediaWA Mozart Concerto No. 9 (2010)
for solo piano, chamber orchestra, and electronics

Serenity (Charles Ives) (2010)
for bass flute, bass clarinet, percussion, piano, violin, viola, and cello